Bigfoot

Bigfoot, also known as Sasquatch, is an alleged ape-like creature purportedly inhabiting forests, mainly in the Pacific Northwest region of North America. Bigfoot is usually described as a large, hairy, bipedal humanoid.

The scientific community considers Bigfoot to be a combination of folklore, misidentification, and hoaxes, rather than a real creature. In general, mainstream scientific consensus does not support the posited existence of megafauna cryptids such as Bigfoot, because of the improbably large numbers necessary to maintain a breeding population and because climate and food supply issues would make such purported creatures survival in reported habitats unlikely. Despite these facts, Bigfoot is one of the more famous examples of a cryptid within cryptozoology.

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Balinese Monster and Scary Creatures

Speaking about monster or scary creatures, Egyptians have their mummy, Pennsylvanians boast of their Dracula, but what do Balinese have? Since Leak is technically a human who change their shape into various other scary creatures or weird things and can assume their human form again when their time is over so it cannot be categorized as monster or scary creatures and the last choice for the equivalence of monster and scary creature in Balinese culture is Bhuta Kala.

bhuta

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Scary Creatures of the Night: Scariest Hotels in the World

Partying, dressing up as demented creatures of the night, trick-or-treating—We all have our own take on how to spend the season of fright. Since Halloween falls on a Friday this year, another option is to fulfill that dream holiday that has long been overdue.

Holiday trips are dandy and exciting, but when unseen scary creatures of the night hitchhike with you, the word holiday goes down the drain. Furniture flying, creepy sounds reverberating, horrific images of paranormal all around—If the whole universe decided that Halloween is your unlucky star, these are least of the things you would encounter on your trip. On the other hand, if the universe really hates your guts, your hotel experience while on a trip might just be your worse nightmare.

So before deciding on where to spend your long exotic Halloween weekend and mark up the holiday fright, read a roundup of the scariest hotels in Asia that would really make you wish you hadn’t gone out of the house this Halloween

Buma Inn (China)
The Chinese really take this paranormal stuff seriously. Anyone would when the paranormal event includes scary creatures of the night going berserk. Buma Inn in Beijing is haunted by a rampaging ghost out to take revenge. Apparently, a guest in the inn years ago was poisoned by the hotel chef. Guilt-stricken, the hotel chef consequently killed himself after the crime. The horror didn’t end there. Until now, the restless ghost of the murdered guest haunts the hotel looking for the chef who poisoned her.

The Savoy Hotel (India)
Positioned in one of India’s capital, Mussoorie, The Savoy Hotel became the inspiration of Agatha Christie’s novel, The Mysterious Affair at Styles. The hotel doesn’t only offer luxury, but an unwavering supply of fright, as well. Its former owner, Lady Orme, who allegedly died of poisoning, is said to be haunting the opulent hotel. This scary creature of the night was reportedly seen aimlessly wandering the halls of her former hotel.

Tambun Inn (Malaysia)
The Tambun Inn is one of the favorite hotels in Ipoh, Malaysia. Apparently, wandering tourists are not the only ones crazy about the hotel. Scary creatures of the night are said to be haunting the hotel, as well. Many accounts of ghostly events have been documented. Some of these accounts mentioned about lights turning on and off, sounds of whispers and eerie cries heard in the inn. There was also a report about a ghost of an old woman spotted within the vicinity of the inn.

Toftaholm Herrgard (Sweden)
Everybody loves a romantic story, but putting scary creatures of the night in the mix might change some people’s mind about liking them. In Sweden, a hotel named Toftaholm Hergard, a love story ala Romeo and Juliet took place between a commoner and a baron’s daughter. However, the baron had his daughter married off to someone else leaving behind her hapless lover. On the day of the wedding, the lover hanged himself from the rafters. His spirit is said to haunt Room 324 where the rafters once were.

The Nottingham Road Hotel (South Africa)
A hotel in KwaZulu-Natal is such a relaxing place that would make any guest want to stay. On the other hand, the guests aren’t the only ones convinced that it’s comforting to chill out in this hotel. A ghost of a former barmaid is still roaming the hotel moving pots around the pub, opening beer tags, and ringing the service bell. The ghost was also said to have deflated the tires of certain guests who, it turned out, are poor tippers.

Gargoyles

n architecture, a gargoyle is a carved stone grotesque with a spout designed to convey water from a roof and away from the side of a building.

The term originates from the French gargouille, originally “throat” or “gullet”; cf. Latin gurgulio, gula, and similar words derived from the root gar, “to swallow”, which represented the gurgling sound of water (e.g., Spanish garganta, “throat”; Spanish g?rgola, “gargoyle”).

A chimera, or a grotesque figure, is a sculpture that does not work as a waterspout and serves only an ornamental or artistic function. These are also usually called gargoyles in laypersons’ terminology, although the field of architecture usually preserves the distinction between gargoyles (functional waterspouts) and non-waterspout grotesques.

Reproductions of statues representing gargoyle-like creatures, available in some retail stores, although sometimes functional, are more often than not grotesques modeled after famous gargoyles.

The term gargoyle is most often applied to medieval work, but throughout all ages some means of water diversion, when not conveyed in gutters, was adopted. In Egypt, gargoyles ejected the water used in the washing of the sacred vessels which seems to have been done on the flat roofs of the temples. In Greek temples, the water from roofs passed through the mouths of lions whose heads were carved or modelled in the marble or terra cotta cymatium of the cornice. At Pompeii, many terra cotta gargoyles were found that are modelled in the shape of animals.

A local legend that sprang up around the name of St. Romanus (”Romain”) (631 641 A.D.), the former chancellor of the Merovingian king Clotaire II who was made bishop of Rouen, relates how he delivered the country around Rouen from a monster called Gargouille, having the creature captured by the only volunteer, a condemned man. The gargoyle’s grotesque form was said to scare off evil spirits so they were used for protection. In commemoration of St. Romain the Archbishops of Rouen were granted the right to set a prisoner free on the day that the reliquary of the saint was carried in procession (see details at Rouen).

Although most have grotesque features, the term gargoyle has come to include all types of images. Some gargoyles were depicted as monks, combinations of real animals and people, many of which were humorous. Unusual animal mixtures, or chimeras, did not act as rainspouts and are more properly called grotesques. They serve more as ornamentation, but are now synonymous with gargoyles.

Monsters, or more precisely chimarae, were used as decoration on 19th and early 20th century buildings in cities such as New York (where the Chrysler Building’s stainless steel gargoyles are celebrated), and Chicago. Gargoyles can be found on many churches and buildings.

One impressive collection of modern gargoyles can be found at Washington National Cathedral in Washington, DC. The cathedral begun in 1908 is encrusted with the limestone demons. This collection also includes Darth Vader, a crooked politician, robots and many other modern spins on the ancient tradition. The 20th Century collegiate form of the Gothic Revival produced many modern gargoyles, notably at Princeton University, Duke University and the University of Chicago.

In contemporary fiction, gargoyles are typically depicted as a (generally) winged humanoid race with demonic features: generally horns, a tail, and talons. These fictional gargoyles can generally use their wings to fly or glide, and are often depicted as having a rocky hide, or being capable of turning into stone in one way or another.

Demons

In religion, folklore, and mythology a demon (or daemon, d?mon, daimon from Greek: ?????? [?a?mon]) is a supernatural being that has generally been described as a malevolent spirit, and in Christian terms it is generally understood as a Fallen angel, formerly of God. A demon is frequently depicted as a force that may be conjured and insecurely controlled. The “good” demon in recent use is largely a literary device (e.g., Maxwell’s demon), though references to good demons can be found in Hesiod and Shakespeare. In common language, to “demonize” a person means to characterize or portray them as evil, or as the source of evil.

As the Iranian Avestan and Vedic traditions as well as other branches of Indo-European mythologies show, the notion of ‘demons’ [Daewan] has existed for many millennia.

Ancient Egyptians also believed in demonic monsters that might devour living souls while they traveled towards the afterlife, although demons per se did not exist in Ancient Egyptian belief.

The Greek conception of a daemon (< ?????? daim?n) appears in the works of Plato and many other ancient authors, but without the evil connotations which are apparent in the Septuagint translation of the Hebrew Bible and in the Greek originals of the New Testament. The medieval and neo-medieval conception of a “demon” in Western civilization (see the Medieval grimoire called the Ars Goetia) derives seamlessly from the ambient popular culture of Late (Roman) Antiquity: Greco-Roman concepts of daemons that passed into Christian culture are discussed in the entry daemon, though it should be duly noted that the term referred only to a spiritual force, not a malevolent supernatural being. The Hellenistic “daemon” eventually came to include many Semitic and Near Eastern gods as evaluated by Christianity.

The supposed existence of demons is an important concept in many modern religions and occultist traditions. In some present-day cultures, demons are still feared in popular superstition, largely due to their alleged power to possess living creatures.

In the contemporary Western occultist tradition (perhaps epitomized by the work of Aleister Crowley), a demon, such as Choronzon, the “Demon of the Abyss”, is a useful metaphor for certain inner psychological processes, though some may also regard it as an objectively real phenomenon. Aleister Crowley also contacted the abyssmal demon Kokomo through the use of a Ouija board and had nightly conversations. Crowley often said his “pet demon” Kokomo threatened death upon mockery and destroying the board. Crowley died shortly after burning his ouija board in an attempt to become possessed by demons.

Some scholars believe that large portions of the demonology (see Asmodai) of Judaism, a key influence on Christianity and Islam, originated in Zoroastrianism, and were transferred to Judaism during the Persian era.

The idea of demons is as old as religion itself, and the word demon seems to have ancient origins. The Merriam-Webster dictionary gives the etymology of the word as Greek daimon, probably from the verb daiesthai meaning “to divide, distribute.” The Proto-Indo-European root deiwos for god, originally an adjective meaning “celestial” or “bright, shining” has retained this meaning in many related Indo-European languages and cultures (Sanskrit deva, Latin deus, German Tiw, Welsh [Duw],]), but also provided another other common word for demon in Avestan daeva.

In modern Greek, the word daimon(Greek: ??????) has the same meaning as the modern English demon. But in Ancient Greek, ?????? meant “spirit” or “higher self”, much like the Latin genius. This should not, however, be confused with the word genie, which is a false friend or false cognate of genius.

Psychologist Wilhelm Wundt remarks that “among the activities attributed by myths all over the world to demons, the harmful predominate, so that in popular belief bad demons are clearly older than good ones.” Sigmund Freud develops on this idea and claims that the concept of demons was derived from the important relation of the living to the dead: “The fact that demons are always regarded as the spirits of those who have died recently shows better than anything the influence of mourning on the origin of the belief in demons.”

Demons as described in the Tanakh are the same as “demons” commonly known in popular or Christian culture.

Those in the Hebrew Bible are of two classes, the se’irim and the shedim. The se’irim (”hairy beings”), to which some Israelites offered sacrifices in the open fields, are satyr-like creatures, described as dancing in the wilderness (Isaiah 13:21, 34:14), and which are identical with the jinn, such as Dantalion, the 71st spirit of Solomon. (But compare the completely European woodwose.) Possibly to the same class belongs Azazel, the goat-like demons of the wilderness (Leviticus 16:10ff), probably the chief of the se’irim, and Lilith (Isaiah 34:14 – where the KJV Bible translates the Hebrew word ‘lilith’ as “screech owl”). Possibly “the roes and hinds of the field”, by which Shulamit conjures the daughters of Jerusalem to bring her back to her lover (Canticles 2:7, 3:5), are faunlike spirits similar to the se’irim, though of a harmless nature.

The evil spirit that troubled Saul (I Samuel 16:14 et seq.) may have been a demon, though the Masoretic text suggests the spirit was sent by God.

Some benevolent shedim were used in kabbalistic ceremonies (as with the golem of Rabbi Yehuda Loevy), and malevolent shedim (mazikin, from the root meaning to damage) are often responsible in instances of possession. Instances of idol worship were often the result of a shed inhabiting an otherwise worthless statue; the shed would pretend to be a God with the power to send pestilence, although such events were not actually under his control.

Goblins

A goblin is an evil, crabby, or mischievous creature of folklore, often described as a grotesquely disfigured or gnome-like phantom, that may range in height from that of a dwarf to that of a human. They are attributed with various (sometimes conflicting) abilities, temperaments and appearances depending on the story and country of origin. In some cases goblins have been classified as constant annoying little creatures somewhat related with the celtic brownie.

According to “The Concise Oxford Dictionary of Current English” the name is probably derived from the Anglo-French gobelin (medieval Latin gobelinus), which is probably a diminutive of Gobel, a name related to the word kobold. Goblin is also related to the French lutin. In addition, there also exist various other alternative spellings of the word goblin, including: Gobblin, gobeline, gobling, goblyn, gobelinus (medieval Latin), and vulgus gobelinum (demon) (Latin).

Dwarfs, hiisi, duende, tengu, Mennink?inen and kallikantzaroi are often translated into English as ‘goblins’. The Erlking and Billy Blind are sometimes called goblins. Goblins are often used as a general term to mean any small mischievous being.

According to some traditions, goblin comes from Gob or Ghob, the king of the gnomes, whose inferiors were called Ghob-lings.

Skratta is old Scandinavian word for a goblin or monster (modern Icelandic skratti, a devil).

Any creature resembling a goblin, but larger than a man, is considered a Troll.

One fabled origin for goblin is in France, in a cleft of the Pyrenees, from which they spread rapidly throughout Europe. They hitched a ride with Viking ships to get to Britain. They have no homes, being nomadic, dwelling temporarily in mossy cracks in rocks and tree roots.